Eclectic Theatre - 1449 Words

DRAMA Transition to Eclectic Realism provides only amoral observation, while absurdism rejects even the possibility of debate. (Frances Babbage, Augusto Boal). The cynicism of this remark reflects the aberrant attitude towards absurdism, yet there is truth to it. Theatre of the absurd is an esoteric avant-garde style of theatre based on the principles of existentialism that looks at the world without any assumption of purpose. Existentialism and Theatre of the Absurd became identified with a cultural movement that flourished in Europe in the 1940s and 1950s, after the Second World War. The idea that man starts with nothing and ends with nothing is a common theme amongst most absurd plays. Despite this strange philosophy, Theatre of the†¦show more content†¦The Caretaker follows no such structure, with a metaphysical approach that promotes a mystical and confusing mode. Pinter divorces and exposes societys codes, institutions and human relations. Throughout the play the audience is rarely comfortable. This disruption is established from the outset of the play when Mick, a character who at this stage of the play the audience knows nothing about, sits on the bed and stares at the audience in silence for ‘30 seconds. Micks arrival on stage generates unease within the audience and the tension only increases as Pinter provides the audience with no explanation for his being there. Mick leaves the stage in a state of maintained silence; hence the first images presented in the play confront and challenge many of the assumptions of a traditional theatrical experience. Pinter does not adhere to the accepted use of dramatic conventions. There is no traditional relation of character histories within the opening scenes and lack of revelation is maintained throughout the play as relatively little is exposed about the character’s backgrounds. This makes events within the room conditional phenomena, which are dependent on the individuals involved and what the audience is able to in terpret. A distinguishing feature separating realism from absurd is the style of language employed throughout the plays. In A Streetcar Named Desire theShow MoreRelatedDavid Bowie s S Birthday At 68 Comment1275 Words   |  6 Pagesfrom Ziggy Stardust to a hedonistic astronaut Major Tom to the cocaine using White Duke. David Bowie’s theatricality on stage has been influenced by Brecht’s philosophy around performance. Berthold Brecht was a famous German poet, playwright and theatre director most well-known for his use of alienation techniques with his plays (Buckley, 2013). Alienation, distancing the audience from immersing themselves the characters opposed to naturalism Brecht wanted to make the audience critical and awareRead MoreThe Lantern Theatre Report Draft1241 Words   |  5 PagesLantern Theatre report draft The Lantern Theatre, founded in 2009 by ‘tiny Giants Productions’, is situated in the Baltic Triangle in Liverpool. Margaret Connell, current co-owner and Artistic Director, took over the theatre in September 2011 (Lantern Theatre, 2015). The venue is in an old brick warehouse that is split into various entertainment businesses. The Lantern Theatre is on the second storey of the building, with only stairs- no lift- for access (Connell, 2015). With a performance spaceRead More Rent: The Musical Essay880 Words   |  4 Pages This word rarely conjures pleasant memories, but more often annoyance and stress. However, when someone mentions rent to me, my mind races to some of the most memorable experiences in my life. 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